Allan Herschell produced only a handful of standers. It is believed that these figures, which were very large (one example being 7 feet long), were created exclusively for display at trade shows. The horses all have dramatic, wind-swept tails and manes that are significantly longer than the usual Allan Herschell horse (similar to Herschell kiddie horses).
For many years, it was believed only three of these standers existed:
'Bugle' horse - nicknamed for the carved bugle hanging from its saddle, also features a revolver and knotted mane, with a tucked head and front right leg raised
'Rifle' horse - nicknamed for the carved rifle tucked under the saddle flap, also features a carved canteen, with a tucked head and front left leg raised
'Turkish' horse - various tassels and medallions hanging from the saddle with moon motifs and a ruffled blanket, head up with a lolling tongue and front right leg raised
However, a few additional examples have been discovered:
'Tassel' horse - similar to the 'Turkish' horse with head up and a lolling tongue, but with a thick tassel towards the front of the blanket, only identified in one photo from a newspaper clipping showing a young woman sitting on it while on display at the National Association of Amusement Parks convention in Chicago, 1929
'Girth' horse - similar to the 'rifle' horse with head tucked, front left leg raised, and US on the bridle, but without any carved props seen on the other Herschell standers, saddle flap is slightly folded back and there are two girths, only identified in one photo from a set of promotional images depicting Herschell carvings
The 'bugle' and 'girth' horses famously appeared on the cover of The Saturday Evening Post in May of 1947 in a painting by Norman Rockwell. The two figures were owned by Rockwell's friend, King Reid, and were photographed at Rockwell's studio around 1946 to use as reference for the painting. The 'bugle' horse was later sold for $44,000 at a Guernsey's auction on August 7, 1990 to the late carousel collector and dealer Jim Aten, who had the figure restored and repainted sometime before March of 1994. The location of the 'girth' horse remains unknown.
The 'Turkish' horse was discovered for sale in an antiques trade magazine by Gray Tuttle, and eventually purchased by Lourinda Bray of Running Horse Studio in the early 90s, where the horse was restored. It remains at Running Horse Studio, as of writing.
The 'rifle' horse is in a private collection, while the location of the 'tassel' horse remains unknown.
Bray, Lourinda. Facebook post. June 2024.
Bray, Lourinda. "Rare Allan Herschell Standers." The Carousel News & Trader, Issued No. 9, Vol. 25. September 2009.
Fraley, Tobin. Personal communication, May 2026.